Seyi Vibez Dapper Music drama, Picture this: It’s late 2024, and the streets of Lagos are electric with the raw energy of Afrobeats. Seyi Vibez, the undisputed king of street-hop soul, is at the peak of his game, dropping chart-toppers like Loseyi Professor and pulling Headies nods left and right. Under his wing? Prodigies like Muyeez and TML Vibez, whose collabs like “Goated” and “Where I’m From” had fans chanting “NSNV forever” (No Seyi, No Vibez). Fast-forward to October 2025, and that family vibe? Shattered. Social media is a battlefield: #JudasBoyTML trending, Muyeez spilling tea on “nightmare” deals, and Seyi going full independent warrior. But beneath the memes and subtweets lies a grittier story, one of copyright claws, 360 deal traps, and the high-stakes gamble of Naija’s booming music empire, now valued at over $2 billion annually.

Seyi Vibez Dapper Music drama
This isn’t just beef; it’s a blueprint for survival. As a fresh collab like “247” ft. Seyi, TML, Muyeez, Billion Solar, and Nerryckole drops amid the chaos proving old flames flicker, let’s dissect how Dapper Music’s shadow looms large. Drawing from insider X rants, label leaks, and the Nigerian Copyright Act’s fine print, here’s the unfiltered chronicle. If you’re grinding in Afrobeats, read this before you sign on that dotted line.
The Spark: Dapper’s Golden Era Crumbles (2024 Exits Revisited)
Dapper Music & Entertainment, brainchild of Damilola Akinwunmi (Hilda Baci’s boo), was the launchpad for street-hop royalty. From 2022-2023, they inked deals that birthed global anthems: Shallipopi’s “Pluto Presido,” Seyi’s Billion Dollar Baby, and Muyeez’s breakout “Emo (Remix).” But by December 2024, the facade cracked.
- Shallipopi’s Silent Storm (Dec 2024): The Plutomania ghosted Dapper first, scrubbing mentions and hinting at “shady deals” in cryptic posts. No royalties from streams that racked millions? Fans smelled blood.
- Muyeez’s Raw Exit (Dec 12, 2024): Seyi’s right-hand signee, Moshood Abdulmuiz (Muyeez), dropped a bombshell IG rant: Signed as a minor, he released three EPs in a month topping charts, yet saw zero royalties. “Dapper turned my dreams into a nightmare,” he fumed, accusing a toxic 360 deal of siphoning everything from tours to merch. As Seyi’s Vibez Inc. protégé, Muyeez’s loyalty to NSNV made his split seismic. Now under Seyi’s independent banner, he’s grinding with tracks like “Instagram” ft. the boss himself.
- Seyi Vibez’s Bold Break (March 2025): The Oluwa Lyrical Surgeon cut ties, rebranding fully independent. IG purge? Check. Bio switch to “Independent Artist”? Done. Rumors of a 13-month release ban swirled (unconfirmed, but X is lit with theories), yet Seyi dropped fire like Pressure and scooped awards. His move? A middle finger to Dapper’s “360 grip,” where labels claw 50-80% of all revenue streams

Dapper’s response? A mealy-mouthed “auditor cooperation” statement that screamed damage control. By mid-2025, their roster thinned, streams dipped, and whispers of a “label curse” echoed. Enter the wildcard: TML Vibez.
TML Vibez: The “Judas Boy” Caught in the Crossfire
Timileyin Sulaimon (TML Vibez) was the golden child Dapper’s 2023 signee, fast-tracked via Seyi’s shine. Seyi spotted him on TikTok (shoutout to a four-month “study session” before the studio invite), and boom: Vibez Inc. magic. Tracks like “On God” ft. ODUMODUBLVCK and Pawon Boy Vol. 1 (deluxe Jan 2025) rode NSNV waves to millions of streams. TML’s “Viberz” fanbase? Built on Seyi’s back.
But when Seyi bolted in September 2024, TML stayed. Why? Contracts, baby. Dapper scouted and signed him first, Seyi’s sub-label was just the promo rocket. No exit clause? No dice. TML dropped projects under Dapper (“Hallelujah,” nods to Seyi in bars), but backlash hit like a gut punch. Seyi stans branded him “#JudasBoyTML,” flooding on X formerly known as tweeter: “Seyi gave you the name, features, and family now you chop with devils?”. TML’s tearful post? “The same people who knew my struggles… hoping I fall.”
Fans split: Pro TML say “Business, not betrayal Dapper owns the paper.”
NSNV loyalists? “Loyalty pass juju ask Muyeez, who followed Seyi empty-handed.”
October 2025’s flare-up? Fueled by “247,” a Vibez Inc. banger reuniting Seyi, TML, Muyeez, and more proving beef don’t kill collabs. But TML’s streams? Crashing under boycott calls. Dapper’s pushing him solo, but the “Judas” scar? Permanent. As one X post nailed it: “TML no leave ’cause na Dapper get the contract. Seyi go heal, but this beef funny.”

The Copyright Core: 360 Deals as Modern-Day Shackles
Zoom out this ain’t personal; it’s systemic. Nigeria’s music game, exploding to $14.8B by 2025 per PwC, thrives on digital goldmines (Spotify royalties up 2700% since 2018). But the Nigerian Copyright Act 2022? A double-edged sword.
- 360 Deals Decoded: Labels like Dapper snag a slice of everything mechanical royalties (streams), performance (radio/clubs), syncs (ads), tours, merch. Seyi and Muyeez allege Dapper’s version? Starvation mode: 80% cuts, no audits, minors locked in without fair play. Echoes Mohbad’s Marlian woes or Kizz Daniel’s G-Worldwide wars exploitation masked as “investment.”
- Legal Lowdown: Act grants automatic protection for originals (no reg needed), but moral rights (credit/integrity) are yours forever, economic ones? Assignable via shady contracts. Withholding royalties? Infringement fines, jail via NCC. Digital piracy? Rampant; NCC’s 2025 DJ crackdowns (5-year bids for unlicensed plays) show teeth, but enforcement lags. CMOs like MCSN collect global royalties, but many artists skip ’em, blind to the bag.
TML’s bind? Legally kosher contract trumps vibes but ethically? “Unjust enrichment” vibes, as Seyi’s promo built his brand. Bigger pic: Labels exploit awareness gaps; 95% of signees never profit.

Seyi Vibez Dapper Music drama
Street-Smart Shields: Don’t Get Vibez-Trapped
From Alaba pirates to Sony globals, Naija’s scene is a minefield. Seyi’s indie glow-up? Proof you can escape. Here’s your anti-exploitation playbook:
- Contract Autopsy: Lawyer up (Olumide Sonupe types). Cap 360 cuts at 20-30%, demand audits/exits. License, don’t assign copyrights.
- NCC Stamp: Voluntary reg via NCeRS timestamps ownership, cheap dispute shield.
- CMO Crew: MCSN/COSON for royalty hunts global pacts mean diaspora streams pay.
- Diversify the Bag: Tools like Ditto track streams; NFTs/merch dodge label nets. Build direct fans—TML’s lesson.
- Fight Back: Infringement? NCC suits for injunctions/damages. 2025’s Act tweaks push transparency — use ’em.

Echoes of Empire: Reform or Repeat?
As “247” climbs charts—Seyi reflecting “I thank God for my journey,” TML adding grit, this rift spotlights a $2B beast devouring its young.
Education’s key: Artists sign blind, labels feast on ignorance. Imagine Muyeez auditing early? Or TML with an escape hatch? Vibez Inc.’s rise (Billion Solar, Nerryckole thriving) screams independence wins.
Seyi’s “Olodo ni gbo gbo yin” shade? Savage, but spot-on for the naive.
Who’s the real Judas, greedy labels or starstruck signees? Drop your hot take below. Share if this saved your next deal, and sub for more Afrobeats autopsies. Your empire awaits, guard the keys.
Sources: Pulled from NCC deep dives, X street pulse, and industry reports. Not legal gospel. holla a pro for your script.
Disclaimer: Informational vibes only. Seek tailored advice; this ain’t court.
Got thoughts on the Seyi-TML-Dapper drama? Comment below and share this post!








